healyg: (Excited)
Currently I'm reading What is Your Quest? From Adventure Games to Interactive Books by Anastasia Salter. It's a rough history of the adventure game genre from its early roots in the 70s to 80s to its resurgence in the internet/tablet era. It focuses more on the graphical adventure side of things, which I found pretty interesting as an IFer; it gives me an idea of how the other half lives, I guess. Anyway, if you're an adventure aficionado, you'll probably won't get as much from it as a beginner to these weird games with all these puzzles and no action bits, but it still comes highly recommended.

But wait, there's more! Book number 2 is Will Eisner's auto-bio graphic novel To the Heart of the Storm. When I checked this out of the library, I was expecting something that focused on Eisner's years in the war, but instead it's presented as a flashback to the tensions brewing before the war. I was a little disappointed in this, frankly, because it's a subject that I think was better handled in his A Life Force. Still, I did think it was a pretty good book. Recommended, but get A Life Force soon after.

Finally, book numero tres is Oishinbo A la Carte: Japanese Cuisine (story by Tetsu Kariya and art by Akira Hanasaki), which is a themed volume of standalone stories from the long running manga series Oishinbo. I didn't like the previous volume of Oishinbo I checked out from the library (Pub Food, I think?), but for some reason this volume just clicked. The main plot's not much: some dope named Yamaoka Shirou has to put together an Ultimate Menu of some kind for the newspaper he works, and his dad Kaibara Yuzaan, a hardass jerk, runs some kind of Supreme Menu for a rival paper. It doesn't really matter anyway, as it's mostly just an excuse to go on food-themed adventures. The author is a really big fan of simplicity in cooking, at least (especially?) when it comes to Japanese cuisine.

My favorite of the whole volume is the one where Yamaoka and friends accompany a businessman to a meeting with a tea ceremony master. Yamaoka doesn't think much of the old master, a boastful man who likes to talk about the famous people he teaches and showing off his expensive tea-ware, but it isn't until he serves the group strawberries covered in condensed milk that Yamaoka's suspicions about him are confirmed. What do the strawberries have to do with anything? You'll have to read the story to find out! Anyway, I think the stories in this volume are all pretty great like that, and it comes with an essay by the author that explains a bit of what he thinks about Japaneses cuisine. Highly recommended, especially if you like reading stories about food.
healyg: (apology)
Currently I'm reading Smash: Trial By Fire by Chris A. Bolten and Kyle Bolton. It's graphic novel about a kid who gains the powers of his favorite superhero, The Defender, when the latter dies in an accident involving a power-draining machine. It's a cute story (I especially liked the young hero's interactions with another superhero named Wraith), but it's marred by what I think is rather bad art; mouths and faces are misshapen enough that it was hard for me to get a read on the expressions sometimes, and I suspect the artist shaded much of it with the burn-and-dodge tool. Also, be aware that it ends on a cliffhanger, if you're bugged by that sort of thing. Other than that, it's a pretty good book.

Next time, on Currently Reading Sometime Next Week: I checked out a pretty cool book about adventure games from the library, so it'll probably be that. See you then!
healyg: (apology)
Currently I am reading Comic Book Rebels, by Stanley Wiater and Stephen R. Bissette. It's a series of interviews with some of the biggest names in comics in the nineties, including Alan Moore, Scott McCloud, Todd McFarlene, Harvey Pekar, etc. It's got a wide variety of artists and authors, from former artists from the underground "comix" scene in the 60s to 70s to then-new blood like Kevin Eastman and Peter Laird. Only three women, though: Lee Marrs, Harvey Pekar's wife Joyce Brabner, and Colleen Doran. (Also, besides Moebius, all the artists and authors in their "International Ambassadors" section are British.) It's actually a pretty interesting snapshot of the comics industry before the speculation crash. There's a hopefulness about the relatively new direct market that's about to go away soon, when the market crashes and Diamond rules as monopoly supreme. Anyway, despite a few gripes here and there it's a pretty informative book, and a good resource for those who want to find out more about comics history.

Next Time, on Currently Reading Not-Always-a-Wednesday: I'm not sure! I might just cheat again and pick another video game.
healyg: (apology)
Currently I'm reading Final Fantasy 5 (GBA version).

What? It's an RPG, it's got text and words. It's got a lot of words.

Who wants to read me blog about Final Fantasy 5? None of you? )

Also, an actual book I am reading this week is Jeph Loeb and Time Sale's Batman: The Long Halloween. This is actually a re-read; I read it before and kinda hated it but all the details of it slipped outta my head the instant I put it down, so I could never put my finger on why. Looking at it now, I think it's partly because it's got such a sour, cynical tone. I'm not bothered by the only two Frank Miller Batman books I've read, though (Dark Knight Returns and Batman: Year One), and while you could argue that tonally they're cut from the same cloth, I think the difference for me is that Frank Miller is much more knowing, or perhaps honest, about the effects he's reaching for; he knows what he's doing when he makes the Mutants such horrible S.O.B.s, he knows why he's making the Gotham Police Department so incredibly corrupt. Loeb, though, seems to be adding in these dark, gritty details because what else do you do for a dark, gritty story? That's why, even though the Frank Miller books have objectively worse shit going on, The Long Halloween feels meaner to me.

(Another thing I don't like is how played out the whole thing feels; everything in the story has been done elsewhere, and likely done better. Sure, all your favorite villains are there, but their schtick is so overdone you'll be begging for their part to be over. I guess that's what makes it such a great beginner Batman story, though, since it's likely a new fan wouldn't be bothered by this. As I remember some guy on a web forum saying, even the worst Batman stories still feature Batman punching all the bad guys until there are no bad guys left to punch.)

I won't deny it hits a couple grace notes for me, and I do like the art, but overall this re-read of Long Halloween didn't change my opinion of it much.

Next time, on Currently Reading Whenever I Get These Things Out: Next week I'll probably review Comic Book Rebels, by Stanley Wiater and Stephen Bissette. (Hooray, a straight answer this time!) It's a series of interviews with famous comic book personalities from the early 90s. I was gonna review it this week, but I had barely begun it by the time I wrote this post. Next week, though!
healyg: (Frown)
Currently I am reading Faster Than a Speeding Bullet: The Rise of the Graphic Novel by Stephen Weiner. It is the thinnest book on comic book history I have ever read, about 64 pages including the backmatter. Some of the early chapters (I am thinking of the first in particular) read like grade school history reports, if grade school taught the history of comic books. Later on it starts discussing just one or two comic books-- I'm sorry, graphic novels, per chapter. I think I detect a hint of bias in this book. It also ends just as it gets to manga boom; on the one hand, what do you expect from a book written in 2003, but on the other, wow, way to miss the second biggest zeitgeist of the coming decade (first being the web, natch). Also, for some reason it starts every chapter with a different quote, and while they're sometimes clever, most of the time it comes off as too twee, like the quote for the Sandman chapter: "Death was a friend, and sleep was Death's brother." --John Steinbeck. Also also, it cites no sources. Overall I'd say while it may be of use to a total comics newbie, you'd probably be better off with Demanding Respect instead.

Next time, on Currently Reading Wednesdays Somedays: Well, I really wanna get into some text adventures, but seeing as I've said that every week and I've gone with some comics related book each time, I'm guessing that's a no sale. With any luck Ryan Veeder will release his magnum opus IF about a struggling comic book author in the 30's, and this impasse will come to an end.
healyg: (apology)
Sorry I haven't been here in a while! I was trying to write this big ol' post but the whole thing collapsed on me.

Anyways, since this is about three days late, let's go ahead and review three different books!

Book numero uno: How to Torture Your Brain, by Ralph L. Woods, is a compilation of brainteasers, paradoxes, and other weird brain junk. Some of these are going to be a little familiar to most folks, like the infamous question "What happens when an irresistible force meets an immovable object?" and the infinite hotel problem, but others, like selections from Greek philosophers, or a parody of the twisted logic Anti-Stratfordians work themselves into, are fresh, at least to me. Be warned that it's a pretty old book, so that some of the examples it uses are a little UnP.C. these days. Here's its Amazon pages, or you could check and see if it's at your local library.

Second book, same as last look: Alan Moore, Storyteller by Gary Spencer Millidge, is a coffee table book about perhaps the most famous British comic book writer of all. Frankly I find the aggrandizing tone of it all a bit wearying (did you know that Alan Moore wrote the very first serious superhero story? And also the first feminist comic book heroine, and also the first interracial relationship, and and and), but hey! That's what you get with these types of books. I don't know, I'm more of a Grant Morrison fan, so maybe this book just isn't for me.

Book number three, oh my oh me I've got a big collection of most of Lewis Carroll's major works, so I'm trying to make some headway into Sylvie and Bruno. So far it's slow going; the joke-to-sentiment ratio is nearly inverted from his Alice books. Mostly I've just been skipping around, and reading an article here or a short story there. There's this one really great story about photographic plates that can write a whole short story from your mind that's just amazing, and I may transcribe the whole thing over here so I can show it off.

Next time, hopefully on time: Next time I really want to play a text adventure, because the IF Top 50 is having another round again and I don't want to miss out. We'll see how that goes.
healyg: (Default)
(Welcome to what I hope will continue to be a regular feature of this blog, Currently Reading Wednesdays. I'll talk a bit about what I'm reading, and also a little bit about what I'm planning to read next.)

Currently I am reading Demanding Respect by Paul Lopes. It's another book about comics history, this time a summary of the major events of Twentieth Century to Early 21st century American comic book publishing. It's kind of incredible, to me today, to see what lengths people would go to demonize comics back in the early 50's. They seduce the youths into a life of crime! Their crummy art will rot kids' eyes! They're turning our children into fascists, and also they're backed by the communists. It'd be pretty laughable if the anti-comics crusade weren't so successful. Anyway, I don't think I like this book quite as much as I liked Haunt of Fears, but it's got a broader scope, covering everything from the start of Superman to the 60's alt-comix scene to about 6 years ago, which is when the book was published. So, I'm gonna say that if you're in need of a general lowdown of the American comic book industry, check it out! There are probably worse books on the subject you could read.

Next time, on Currently Reading Wednesdays: I think I might like to check out Akira next. Or maybe something by Pauline Kael? And I still haven't gotten to those text adventures. Who knows?
healyg: (scheming)
(Welcome to what I hope will be a regular feature of this blog, Currently Reading Wednesdays. I'll talk a bit about what I'm reading, and also a little bit about what I'm planning to read next.)

Currently I'm (re)reading A Haunt of Fears, by Martin Barker. It's about the anti-comics campaign in Great Britain, although it dips into Fredric Wertham's Seduction of the Innocent as well. (How could it not?) It gets into the politics of the movement in a way that few other comic book histories do. (For instance, did you know that the British anti-comics movement was spearheaded by Communists in the early going?) Though in my opinion, it's worth the price of admission simply for the reprint of the infamous EC Comics story "The Orphan" and Barker's analysis of it. (If you haven't read "The Orphan" yet, do so, by the way. I was spoiled on the twist beforehand and the ending still managed to take me by surprise.) All in all a great book, especially if you're a comics fan.

What I'm going to read next? ...I dunno. I've got a bunch of text adventures on my backlog that I really want to get around to. I haven't played Ryan Veeder's latest yet, Someone Keeps Moving My Chair, and I still haven't got around to the Taco Fiction sequel he put out around Halloween. Or I guess I could do, y'know, an actual book. We'll see.

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